Obscene

Barney Rosset is one of the great unsung heroes in post-war America’s battle for free expression. As publisher of Grove Press and the Evergreen Review, he challenged obscenity bans against Lady Chatterley’s Lover, Tropic of Cancer, Naked Lunch and more, repeatedly risking his company on court battles. His literary and political instincts led him to publish works as diverse as Samuel Beckett’s Waiting for Godot and The Autobiography of Malcolm X. His love of film spurred him to produce Strange Victory, a 1948 documentary about post-war racism. Later, he fought censors as far as the Supreme Court to distribute the risqué 1967 Swedish film I Am Curious (Yellow).First-time directors Neil Ortenberg and Daniel O’Connor take us on a thrilling trip through Rosset’s crusades. They uncover some wonderful archival material: 16mm footage Rosset shot as an Army cameraman in the Second World War; Zero Mostel and Burgess Meredith performing in a televised Waiting for Godot; Gerald Ford denouncing the Evergreen Review. The film’s jazzy graphics recall the flair of Grove Press’s memorable cover designs.Going strong in his eighties, Rosset gives delightfully frank interviews. Friends and colleagues weigh in with equal candour as do such witnesses to the times as Erica Jong, Jim Carroll and John Waters. The film is packed with cultural history revelations and Rosset’s equally compelling personal history. His life was radical from an early age. At an experimental Chicago high school in the thirties, Rosset’s teacher arranged for him to lose his virginity to another student; he also published a school paper, Anti-Everything, with classmate Haskell Wexler (who went on to a career as an Academy Award®-winning cinematographer). As a college freshman, he wrote a paper about his literary hero – presaging his defence of Tropic of Cancer – called “Henry Miller vs. Our Way of Life.”Screw publisher Al Goldstein calls Rosset the “most fucked-up businessman in all of America.” Born to a wealthy banker, Rosset spent all his money on his passions. Ultimately, he sold off hundreds of acres in the Hamptons until he was left with very little and lost control of Grove Press. Now that’s obscene. But he maintains a warm outlook, describing his career as “the art of nourishing the accidental.”

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该片主要讲述了陈智琪在担任律师期间，如何为一个被绑架的女孩辩护，展现了她勇敢、智慧的一面。同时，影片还深入探讨了家庭、权力、道德等社会问题，使故事更加丰富。

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最开始看预告片的时候，我以为《涉过愤怒的海》是一部用父亲单枪匹马为女复仇的故事来歌颂父爱如山的片，只是可能情绪更激烈、镜头更偏暴力美学一些。（所以建议岁以下观众谨慎观看。）但是出于对曹保平导演的信任和偏爱，我还是第一时间观看了电影，看完之后就是一整个被震惊到失语的状态。当很多观众纠结于结尾黄渤在片中扮演的父亲老金是否为命丧异国他乡的女儿娜娜复仇成功的时候，我万万没想到，曹保平导演用这个题材拍出了更深刻也更为震撼人心的东西。对曹保平导演过往作品比较熟悉的观众，可能会

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先说观点：是真的好看。五星推荐理由剧集本身没有太多卡点和尿点，节奏明朗且快，该死的死，该推进的推进，该反转就反转。理由极大程度的补充了我对三国历史的细节想象部分。比如诸葛亮要执掌后期的蜀汉政权，绝不仅是演义里所体现的只是带兵打仗，需要处理的还有朝廷中不同派系的“明枪暗箭”更有不断从细节提炼出的宏观视角，重新去看待当时诸葛亮的北伐国策制定和实施的艰难。理由相信路阳。熟悉路阳的电影风格是从《绣春刀》系列开始，这几部电影的服化道可以说是古装影视剧的天花板，也正是

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该剧是一部反贪腐电影，讲述了香港嘉文集团老板程一言（梁朝伟饰）和高级调查主任刘启源（刘德华饰）之间的较量。这场对决持续了十五年，牵涉到香港整个上流社会，故事引人入胜，值得一看。